THE GREAT GATSBY
Things to look out for in Chapter 6
(form structure language)
Form
American Dream:
Social Drama / Urban context / Discourse on social and financial divisions. Social divisions shown by Sloane’s and Tom’s distaste for Gatsby’s company.
Quest:
Structure
Motifs
- More rumour underground pipeline 94
Dates/Times
- Several weeks have passed. The Saturday following Tom/Sloane/Woman’s visit
First person narrator reflects/comments:
- Narrator uses reported speech to retell the story told to him by intradiegetic narrator Gatsby with Nick’s own gloss whereby Jay makes the dream search for ‘meretricious (false) beauty’ become a reality. The Cody story was told later: Nick purports to tell the story now to dispel the rumours 97
- Narrator’s direct experience of 2nd party narrated
Language
Gatsby ‘haunted’ 95. Contrast of ‘the ineffable (beyond expression) gaudiness and the ticking clock/’tangled clothes’ 95. The world seemed to be ironically founded on a fairy’s wing’.
Gatsby is keen to entertain Tom & friends, moving ‘quickly’, ringing bells.’ 98 Seems desperate by saying he will follow in his car’
Cody: a prospector pioneer in the Yukonand ‘every rush for metal’ 96. His yacht represented ‘all the beauty and the glamour in the world’
Sloane: the name suggests class and defrives perhaps from association with London High society 98. Drinks nothing 98. Doesn’t want Gatsby with them. Nor does Tom
Gatsby’s second party: ‘the same profusion of champagne, the same many-the senses coloured, many-keyed commotion’. Repetition and use of the senses.
Daisy: ‘voice was playing murmurous tricks in her throat’ 101
Also see:
Chapter 2 Notes
Chapter 3 Notes
Chapter 4 Notes
Chapter 5 Notes
Chapter 7 Sample essay
Chapter 8 Guided reading
—oOo—
You are free:
- to Share — to copy, distribute and transmit the work
- to Remix — to adapt the work
Under the following conditions:
- Attribution — You must attribute the work in the manner specified, as above, by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
- Noncommercial — You may not use this work for commercial purposes.
With the understanding that:
- Waiver — Any of the above conditions can be waived if you get permission from the copyright holder.
- Public Domain — Where the work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.
- Other Rights — In no way are any of the following rights affected by the license:
- Notice — For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page.