Chapter 6

THE GREAT GATSBY

Things to look out for in Chapter 6

(form structure language) 

Form

American Dream:

Social Drama / Urban context / Discourse on social and financial divisions.  Social divisions shown by Sloane’s and Tom’s distaste for Gatsby’s company.

Quest:

Structure

Motifs

  • More rumour underground pipeline 94

Dates/Times

  • Several weeks have passed.  The Saturday following Tom/Sloane/Woman’s visit

First person narrator reflects/comments:

  • Narrator uses reported speech to retell the story told to him by intradiegetic narrator Gatsby with Nick’s own gloss whereby Jay makes the dream search for ‘meretricious (false) beauty’ become a reality.  The Cody story was told later: Nick purports to tell the story now to dispel the rumours 97
  • Narrator’s direct experience of 2nd party narrated

Language

Gatsby ‘haunted’ 95.  Contrast of ‘the ineffable (beyond expression) gaudiness and the ticking clock/’tangled clothes’ 95. The world seemed to be ironically founded on a fairy’s wing’.

Gatsby is keen to entertain Tom & friends, moving ‘quickly’, ringing bells.’ 98  Seems desperate by saying he will follow in his car’

Cody: a prospector pioneer in the Yukonand ‘every rush for metal’ 96.  His yacht represented ‘all the beauty and the glamour in the world’

Sloane: the name suggests class and defrives perhaps from association with  London High society 98.  Drinks nothing 98.  Doesn’t want Gatsby with them.  Nor does Tom

Gatsby’s second party: ‘the same profusion of champagne, the same many-the senses coloured, many-keyed commotion’.  Repetition and use of the senses.

Daisy: ‘voice was playing murmurous tricks in her throat’ 101

 

Also see:

Chapter 2 Notes

Chapter 3 Notes

Chapter 4 Notes

Chapter 5 Notes

Chapter 7 Sample essay

Chapter 8 Guided reading 

—oOo—

You are free:
  • to Share — to copy, distribute and transmit the work
  • to Remix — to adapt the work
Under the following conditions:
  • Attribution — You must attribute the work in the manner specified, as above, by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
  • Noncommercial — You may not use this work for commercial purposes.
With the understanding that:
  • Waiver — Any of the above conditions can be waived if you get permission from the copyright holder.
  • Public Domain — Where the work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.
  • Other Rights — In no way are any of the following rights affected by the license:
    • Your fair dealing or fair use rights, or other applicable copyright exceptions and limitations;
    • The author’s moral rights;
    • Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights.
  • Notice — For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page.
Advertisement

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s